Circa 1849. Steel engraving. Circa 1849. 375mm by 550mm (platemark) 470mm by 600mm (sheet). George Jones was a serving officer in the Peninsular War and an active member of the Royal Academy. In 1817 he published an illustrated account of the Battle of Waterloo, which earned him the nickname ‘Waterloo.....
1991. Etching with aquatint. 1991. 245mm by 195mm (platemark) 435mm by 380mm (sheet). Limited edition etching with aquatint, editioned 3/60 and signed and dated by the artist in pencil below the image. CONDITION : A couple of faint marks in the margins.
Circa 1990. Etching with aquatint. Circa 1990. 185mm by 125mm (platemark) 300mm by 220mm (sheet). Limited edition etching with aquatint, Artist's Proof, signed by the artist in pencil below the image.
1886. Wood-engraving. 1886. 400mm by 290mm (sheet). Related and unrelated text on the reverse. CONDITION : A couple of faint handling creases in top corners of the sheets. A couple of small foxing spots in the margins.
1886. Wood-engraving. 1886. 400mm by 290mm (sheet). Unrelated text on the reverse. CONDITION : One small foxing spot and small smudge in margins.
1886. Wood-engraving. 1886. 400mm by 290mm (sheet). Unrelated text on the reverse. CONDITION : Three foxing spots in the margins.Faint handling crease top right corner. Small break in paper on left edge of the sheet.
Circa 1870. Albumen stereoview photograph. Circa 1870. 90mm by 175mm (card). Photograph of a taxidermied emu on a yellow card. 'Miscellaneous' printed on edges of the card. CONDITION : A few small indentations in photographs. Slight soiling to card.
1876. Wood-engraving. 1876. 270mm by 400mm (sheet). Unrelated text on the reverse. CONDITION : One small faint crease across bottom right hand corner.
1876. Wood-engraving. 1876. 270mm by 400mm (sheet). Related and unrelated text on the reverse. CONDITION : One small faint printer's crease.
1876. Wood-engraving. 1876. 400mm by 270mm (sheet). 'Sketches in Burmah - A Conjuror on Board the Rangoon' and 'Sketches in Burmah : A "Poay", or Burmese Play, at Meuhla'. Unrelated text on the reverse.
1991. Etching with aquatint. 1991. 245mm by 195mm (platemark) 450mm by 375mm (sheet). Limited edition etching with aquatint, editioned 27/60 and signed and dated by the artist in pencil below the image. CONDITION : a couple of tiny spots in the image. Faint handling crease in lower margin.
1901. Albumen stereoview photograph. 1901. 100mm by 176mm (card). Printed descriptive text on the reverse. George Rose (1861-1942) was a Melbourne photographer who started his business ‘The Rose Stereograph Company’ circa 1880 producing three-dimensional photographs - stereoviews / stereographs. He travelled Australia and the world with his stereoscopic camera, producing.....
1776. Copper-line engraving. 1776. 250mm by 180mm (platemark) 350mm by 260mm (sheet). Published by John Boydell. CONDITION : Some very light foxing in the margins.Two stitching holes on the top of the sheet.
1776. Copper-line engraving. 1776. 180mm by 258mm (platemark) 260mm by 350mm (sheet). Published by John Boydell. CONDITION : Some very light foxing in the margins.One faint spot on left, just inside the platemark. Two stitching holes on the far left of the sheet.
Steel-engraving, 1874. 120mm by 175mm (image) 210mm by 270mm (sheet). From 'Australia' by Edwin Carton Booth. CONDITION : A couple of areas of light toning in the margins.
1786. Sepia aquatint. 1786. 245mm by 318mm (sheet). From Paul Sandby's fourth or 'D' set of Welsh views 'XII Views in North and South Wales', published by Sandby in 1786. Paul Sandby was an important English landscape watercolourist. CONDITION : Trimmed to just outside the platemark. One small repair in.....
Chromolithograph, circa 1895. 240mm by 150mm (sheet). Key below image. From Meyers Konversations Lexikon, a German encyclopaedia.
Chromolithograph, circa 1895. 240mm by 150mm (sheet). Key below image. From Meyers Konversations Lexikon, a German encyclopaedia.
1878. Chromolithograph. 1878. 380mm by 260mm (sheet). 'a symphony'. Vanity Fair portrait of James McNeill Whistler. CONDITION : Image slightly textured. Faint handling crease and a few foxing spots in the margins.
1838. Copper-line engraving with original hand-colouring. 1838. 205mm by 125mm (platemark). Australian native botanical engraving from 'Edward's Botanical Register', published by John Lindley.Sarah Ann Drake was an English botanical illustrator. Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it.....
1880. Wood-engraving. 1880. 285mm by 410mm (sheet). Key to images below the images. Unrelated text on the reverse. CONDITION : One small break at edge of sheet repaired with tape. A couple of faint marks on the reverse from old tape.
1918. Stereoview - silver gelatin photograph. 1918. 102mm by 178mm (card). A series of 18 stereoviews of the Grampians, four printed in black, fourteen in a sepia. All except one have pencil annotated titles on the reverse, a couple are dated 1918.Titles : 1) Silverband. 2) Wartook reservoir 3) The.....
1943. Lithograph with original hand-colouring. 1943. 245mm by 150mm (sheet). Native plant of Australia. Stella Ross-craig was an artist and illustrator for the Royal Botanic Gardens, Kew. Lilian Snelling (1879–1972) was the principal artist and lithographer to Curtis's Botanical Magazine between 1921 and 1952 and "was considered one of the.....
1892. Chromolithograph. 1892. 670mm by 940mm (frame). 'Reproduction of the First Prize in The Australian Natives’ Association National Fete, January 26th 1892’. Printed by Troedel & Co, Melbourne. Period timber frame, with slip and original old glass. CONDITION : Some foxing spots in the margins. Unexamined out of the frame.....
1953. Bromide photograph. 1953. 490mm by 345mm (photograph), 600mm by 480mm (sheet). Laid onto board. Signed by the Queen below the photograph, dated 1953. Dorothy Wilding was the first female Royal photographer. CONDITION : The ink signature has faded to a sepia. There is a little toning in the bottom.....