1836. Lithograph. 1836. 340mm by 250mm (sheet). On a personal comparison with Mr. Pattison, the governor of the Bank of England, Mr. Spring Rice, the Chancellor of the Exchequer, is sadly deficient ; while of Mr. Pattison there is a surplus of the †too too solid flesh. Of the.....
1831. Lithograph. 1831. 370mm by 275mm (image). 'Another Sign of The Times, or Symptoms of what Modern Architects, complaisantly term-Settling' Political sketches of H.B. (no.154)Relates to the attitude of The Times to the Reform Bill. Depicts Henry Brougham (1778-1868) and Lord John Russell.A few marks at the edge of the.....
1791. Stipple engraving. 1791. 255mm by 215mm (platemark). Published by William Dickinson in 1787. Henry William Bunbury was the son of Sir William Bunbury of Mildenhall, Suffolk. After completing his studies at Cambridge University he began to draw caricatures and other comic subjects, the first of which were etched and.....
1786. Stipple engraving. 1786. 225mm by 200mm (platemark). Published by William Dickinson in 1787. A man rides on a country road in profile to the left, facing a squall of wind and rain which beats the brim of his round hat over his face. He approaches a fork in the.....
1786. Stipple engraving. 1786. 225mm by 210mm (platemark). Published by William Dickinson in 1786. A man, smartly dressed and of vulgar appearance, rides downhill; his leg is thrust forward, he leans forward, grinning vacantly, his hands resting on the horse's neck, so that his head is low, and the animal.....
1791. Stipple engraving. 1791. 260mm by 210mm (platemark). Published by William Dickinson in 1791. Three scenes with animals and humans wearing guards under their chins.Henry William Bunbury was the son of Sir William Bunbury of Mildenhall, Suffolk. After completing his studies at Cambridge University he began to draw caricatures and.....
1791. Stipple engraving. 1791. 250mm by 205mm (platemark). From Bunbury's 'Annals of horsemanship', published by William Dickinson in 1791. Henry William Bunbury was the son of Sir William Bunbury of Mildenhall, Suffolk. After completing his studies at Cambridge University he began to draw caricatures and other comic subjects, the first.....
1791. Stipple engraving. 1791. 260mm by 215mm (platemark). Published by William Dickinson in 1791. Henry William Bunbury was the son of Sir William Bunbury of Mildenhall, Suffolk. After completing his studies at Cambridge University he began to draw caricatures and other comic subjects, the first of which were etched and.....
1787. Stipple engraving. 1787. 230mm by 190mm (platemark). Published by William Dickinson in 1787. A man canters in profile to the left on a lean and broken-kneed horse whose hind-quarter is branded. He has only one rein attached to ill-fitting harness, and sits with his leg thrust forward and holds.....
1858. Wood-engraving. 1858. 260mm by 200mm (sheet). 'A Bad Bargain - The virtuoso finds his last purchase too Big for the shelf' Wood-engraving from Melbourne Punch, 1858.Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert.Slight.....
1858. Wood-engraving. 1858. 200mm by 260mm (sheet). 'An Unexpected Change - Surprise of Masters Childers, on returning to the old establishment after a long absence, and finding Master O'Shanassy cock of the walk, in the playground.' Wood-engraving from Melbourne Punch, 1858.Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was.....
1858. Wood-engraving. 1858. 200mm by 260mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 200mm by 260mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 260mm by 200mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 200mm by 260mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 260mm by 200mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 200mm by 260mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 260mm by 200mm (sheet). 'Pretty Cocky - The Old St Kilda talking bird becomes the subject of greaty attention' Wood-engraving from Melbourne Punch, 1858.Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 200mm by 260mm (sheet). Depicts George Samuel Evans (1802-1868) who was appointed as postmaster-general under John O'Shanassy in 1858. From Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert.....
1858. Wood-engraving. 1858. 260mm by 200mm (sheet). Depicts Sir John O'Shanassy (1818-1883) the Victorian Premier. Wood-engraving from Melbourne Punch, 1858.Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert.One small spot."
1858. Wood-engraving. 1858. 260mm by 200mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 200mm by 260mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 260mm by 200mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert.Short break in paper lower left corner."
1858. Wood-engraving. 1858. 260mm by 200mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."
1858. Wood-engraving. 1858. 200mm by 260mm (sheet). Wood-engraving from Melbourne Punch, 1858. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert."