1839. Tinted lithograph. 1839. 220mm by 135mm (sheet). From 'Three Expeditions into the Interior of Eastern Australia; With Descriptions Of the Recently Explored Region of Australia Felix, and of the present colony of New South Wales' by Sir Thomas Livingstone Mitchell. Published by T and W Boone, 1839.
1839. Tinted lithograph. 1839. 135mm by 220mm (sheet). From 'Three Expeditions into the Interior of Eastern Australia; With Descriptions Of the Recently Explored Region of Australia Felix, and of the present colony of New South Wales' by Sir Thomas Livingstone Mitchell. Published by T and W Boone, 1839.
1839. Lithograph with later hand-colouring. 1839. 135mm by 220mm (sheet). Depicts Major Mitchell sketching the entrance of the caves in Wellington Valley, New South Wales. From 'Three Expeditions into the Interior of Eastern Australia; With Descriptions Of the Recently Explored Region of Australia Felix, and of the present colony of.....
C1875. Steel-engraving. C1875. 125mm by 175mm (image) 200mm by 270mm (sheet). From 'Australia' by Edwin Carton Booth. Prout was an English artist who emigrated to Sydney in 1840."
1874. Steel-engraving. 1874. 120mm by 175mm (image) 200mm by 270mm (sheet). The station is believed to be Bontharambo at Wangaratta, Victoria. From 'Australia' by Edwin Carton Booth. CONDITION : A couple of foxing marks in outer margins. Some foxing evident on the reverse at the top of the sheet.
1833. Lithograph with later hand-colouring. 1833. 325mm by 510mm (sheet) 220mm by 330mm (image). From Dumont d’Urville’s 'Voyage de la corvette l'Astrolabe. Atlas historique.’, 1833. CONDITION : Image good. Poorly repaired tear lower right corner. Some handling creases in the margins. "
1886. Wood-engraving. 1886. 185mm by 280mm (sheet). Part-page illustration from 'The Picturesque Atlas of Australasia'. Partial text / image on reverse. Fullwood was born near Birmingham in 1863, and studied art at evening classes in that city. He came to Sydney in 1881 and obtained work as a lithographic draughtsman.....
1886. Wood-engraving. 1886. 125mm by 290mm (sheet). Part-page illustration from 'The Picturesque Atlas of Australasia'. Partial text / image on reverse. Fullwood was born near Birmingham in 1863, and studied art at evening classes in that city. He came to Sydney in 1881 and obtained work as a lithographic draughtsman.....
1886. Wood-engraving. 1886. 190mm by 290mm (sheet). Part-page illustration from 'The Picturesque Atlas of Australasia'. Partial text / image on reverse. Fullwood was born near Birmingham in 1863, and studied art at evening classes in that city. He came to Sydney in 1881 and obtained work as a lithographic draughtsman.....
1886. Wood-engraving. 1886. 130mm by 190mm (sheet). Part-page illustration from 'The Picturesque Atlas of Australasia'. Partial text / image on reverse. Fullwood was born near Birmingham in 1863, and studied art at evening classes in that city. He came to Sydney in 1881 and obtained work as a lithographic draughtsman.....
1886. Tinted lithograph. 1886. 300mm by 495mm (sheet). Sight foxing and cockling to the sheet.
C1886. Wood-engraving. C1886. 270mm by 180mm (image) 450mm by 340mm (sheet). Frederic B. Schell was an American employed as senior illustrator on The Picturesque Atlas of Australasia. He exhibited drawings in The Grafton Gallery 'Exhibition of Australian Art in London' 1898. From 'The Picturesque Atlas of Australasia'. Blank reverse. CONDITION.....
C1886. Wood-engraving. C1886. 270mm by 180mm (image) 450mm by 335mm (sheet). Frederic B. Schell was an American employed as senior illustrator on The Picturesque Atlas of Australasia. He exhibited drawings in The Grafton Gallery 'Exhibition of Australian Art in London' 1898. From 'The Picturesque Atlas of Australasia'. Blank reverse. CONDITION.....
1886. Wood-engraving. 1886. 173mm by 275mm (image) 350mm by 450mm (sheet). Frederic B. Schell was an American employed as senior illustrator on The Picturesque Atlas of Australasia. He exhibited drawings in The Grafton Gallery 'Exhibition of Australian Art in London' 1898. From 'The Picturesque Atlas of Australasia'. Blank reverse.
C1886. Wood engraving with lithographic border. C1886. 180mm by 280mm (image) 350mm by 450mm (sheet). Published for Picturesque Atlas of Australasia, circa 1886.
C1886. Wood engraving with lithographic border. C1886. 280mm by 180mm (image) 450mm by 350mm (sheet). Printed border initialled 'LB'. Published for Picturesque Atlas of Australasia, circa 1886."
1886. Wood-engraving. 1886. 280mm by 180mm (image) 450mm by 350mm (sheet). From for 'Picturesque Atlas of Australasia', circa 1886. Some faint toning in margins, more evident on reverse."
C1886. Wood engraving with lithographic border. C1886. 280mm by 180mm (image) 450mm by 345mm (sheet). Printed border initialled 'LB'. From 'The Picturesque Atlas of Australasia'. Frederic B. Schell was an American employed as senior illustrator on The Picturesque Atlas of Australasia. He exhibited drawings in The Grafton Gallery 'Exhibition of.....
C1890. Lithograph. C1890. 255mm by 320mm (sheet). From an 1890s photolithographic facsimile of the 1857 original edition of 'Victoria Illustrated' published by Sands and Kenny. 'Victoria Illustrated' is Gill's most famous work, and is celebrated for his lively views of Melbourne, Geelong and goldfield scenes."
![Item #980 Ballaarat [i.e. Ballarat] Flat from the Black Hill. After James Tingle, after ST Gill](https://sebraprints-au.cdn.bibliopolis.com/pictures/980.jpg?width=320&height=427&fit=bounds&auto=webp&v=1660050528)
C1890. Tinted lithograph. C1890. 255mm by 320mm (sheet). From an 1890s photolithographic edition of the 1857 original edition of 'Victoria Illustrated' published by Sands and Kenny. 'Victoria Illustrated' is Gill's most famous work, and is celebrated for his lively views of Melbourne, Geelong and goldfield scenes."
![Item #982 Ballaarat [i.e. Ballarat] Post Office & Township, from Government Enclosure. After...](https://sebraprints-au.cdn.bibliopolis.com/pictures/982.jpg?width=320&height=427&fit=bounds&auto=webp&v=1660050528)
C1890. Tinted lithograph. C1890. 255mm by 320mm (sheet). From an 1890s photolithographic edition of the 1857 original edition of 'Victoria Illustrated' published by Sands and Kenny. 'Victoria Illustrated' is Gill's most famous work, and is celebrated for his lively views of Melbourne, Geelong and goldfield scenes."
![Item #983 Ballaarat [i.e. Ballarat], looking North West from Mount Bunningyong. After James...](https://sebraprints-au.cdn.bibliopolis.com/pictures/983.jpg?width=320&height=427&fit=bounds&auto=webp&v=1660050528)
C1890. Tinted lithograph. C1890. 255mm by 320mm (sheet). From an 1890s photolithographic edition of the 1857 original edition of 'Victoria Illustrated' published by Sands and Kenny. 'Victoria Illustrated' is Gill's most famous work, and is celebrated for his lively views of Melbourne, Geelong and goldfield scenes.One tiny spot on right.....
C1890. Tinted lithograph. C1890. 255mm by 320mm (sheet). From an 1890s photolithographic edition of the 1857 original edition of 'Victoria Illustrated' published by Sands and Kenny. 'Victoria Illustrated' is Gill's most famous work, and is celebrated for his lively views of Melbourne, Geelong and goldfield scenes."
C1890. Tinted lithograph. C1890. 255mm by 320mm (sheet). From an 1890s photolithographic edition of the 1857 original edition of 'Victoria Illustrated' published by Sands and Kenny. 'Victoria Illustrated' is Gill's most famous work, and is celebrated for his lively views of Melbourne, Geelong and goldfield scenes.Tear in lower margin, not.....
C1890. Tinted lithograph. C1890. 255mm by 320mm (sheet). From an 1890s photolithographic edition of the 1857 original edition of 'Victoria Illustrated' published by Sands and Kenny. 'Victoria Illustrated' is Gill's most famous work, and is celebrated for his lively views of Melbourne, Geelong and goldfield scenes."