1913. Chromolithograph. 1913. 385mm by 255mm (sheet). He paints various Royalties' . Sir John Lavery (1856 - 1941) was an Irish painter best known for his portraits.Top right corner missing / damaged. Would not be seen once mounted."
1826. Stipple engraving. 1826. 200mm by 130mm (sheet). Benjamin Marshall (1768 - 1835) was an English sporting and animal painter. He exhibited thirteen pictures, chiefly portraits of racehorses and their owners, at the Royal Academy, 1801-12 and 1818-9. A few marks outside image area at the top of the sheet."
1879. Chromolithograph. 1879. 380mm by 245mm (sheet). 'Ancient Painting'. Vanity Fair portrait of Sir Lawrence Alma-Tadema.
1889. Chromolithograph. 1889. 'Ape'. Vanity Fair portrait of Carlo Pellegrini (1839-1889), nicknamed Ape, who was an artist who served from 1869 to 1889 as a caricaturist for Vanity Fair magazine.
1883. Etching. 1883. 345mm by 290mm (platemark). Jean-Louis Ernest Meissonier (1815 - 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes.
1811. Soft ground etching. 1811. 380mm by 330mm (platemark). James Barry (1741-1806) was an Irish painter. Inspired by antique art, he executed several large historical works in a neo-classical style and, from 1777 to 1783, he decorated the great room of the Society of Arts. Accompanied by original descriptive text.....
1816. Soft ground etching. 1816. 380mm by 325mm (platemark). Joseph Nollekens (1737 - 1823) was an Anglo-Flemish. Accompanied by original text description.Trimmed very close to platemark on right hand side. Actual paper is flat and not wavy as appears in the photo."
1815. Soft ground etching. 1815. 380mm by 325mm (platemark). James Northcote (1746-1831) was an English painter and pupil and biographer of Sir Joshua Reynolds. Accompanied by original descriptive text. Library stamp on reverse. Trimmed just outside platemark on right hand side."
1810. Soft ground etching. 1810. 370mm by 320mm (plate mark) 535mm by 350mm (sheet). Thomas Gainsborough FRSA (1727 – 1788) was an English portrait and landscape painter, draughtsman, and printmaker. Along with his bitter rival Sir Joshua Reynolds, he is considered one of the most important British portrait artists of.....
1790. Copper-line engraving. 1790. 170mm by 110mm (platemark). Sir Godfrey Kneller (1646-1723), 1st Baronet was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to English and British monarchs from Charles II to George I.
1790. Copper-line engraving. 1790. 175mm by 110mm (platemark). Sir James Thornhill was an English painter of historical subjects, in the Italian baroque tradition.
1883. Etching. 1883. 410mm by 295mm (platemark). Rajon began his career as a photographer while studying at Ecole des Beaux-Arts Paris. This original etching of Alma Tadema was etched by Rajon on one of his annual visits to London.
1849. Lithograph. 1849. 325mm by 210mm (image) 490mm by 320mm (sheet). 'Robert, Peintre de Ruine.' The toning area appears original - i have seen other copies with exactly the same effect. Hubert Robert (1733-1808) was a French painter noted for his landscape paintings and capriccio of ruins in Italy and.....
C1650. Line engraving. C1650. mm by mm (platemark) 560mm by 440mm (frame). Pope Alexander VII (1599 –1667), born Fabio Chigi, was Pope from 7 April 1655, until his death. Alexander took a keen personal interest in his urban and architectural projects and made notes of these in his diaries. His.....
C1850. Steel-engraving. C1850. 120mm by 100mm (image) 270mm by 175mm (sheet). Michelangelo di Lodovico Buonarroti Simoni (1475 - 1564), commonly known as Michelangelo, was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance. Some very light foxing in the margins."
1814. Soft ground etching. 1814. 380mm by 320mm (platemark). Sir William Beechey (1753 - 1839) was an English portrait-painter. He painted the portraits of the members of the royal family, and of nearly all the most famous or fashionable persons of the time. Accompanied by original descriptive text. Library stamp.....
1878. Chromolithograph. 1878. 380mm by 260mm (sheet). 'a symphony'. Vanity Fair portrait of James McNeill Whistler. CONDITION : Image slightly textured. Faint handling crease and a few foxing spots in the margins.
1877. Chromolithograph. 1877. 'a sculptor' Vanity Fair portrait of Lord Ronald Charles Sutherland-Leveson-Gower. He was a connoisseur and collector. He practised as a sculptor, and exhibited at the Royal Academy; wrote a number of art historical works; a trustee of the National Portrait Gallery for forty two years."
1892. Chromolithograph. 1892. 395mm by 265mm (sheet). He painted 'the Doctor'' . Sir Samuel Luke Fildes, KCVO, RA (1843-1927) was an English painter and illustrator born at Liverpool and trained in the South Kensington and Royal Academy schools.Some faint off-setting, only noticeable in margins."
1897. Chromolithograph. 1897. P.R.A' . Vanity Fair portrait of Sir Edward John Poynter, 1st Baronet, PRA was an English painter, designer, and draughtsman who served as President of the Royal Academy."
1877. Chromolithograph. 1877. 400mm by 275mm (sheet). Val' . Valentine Cameron Prinsep RA (1838 - 1904) was a British painter of the Pre-Raphaelite school. With original descriptive text.One mark in the image, some light creasing in the margins."
1782. Copper-line engraving. 1782. 145mm by 110mm (image only). Portrait of Albrecht Durer after Johann Rottenhammer's copy of Durer's self-portrait. Johann Rottenhammer was a German painter who lived and worked in Venice between 1589-1606. CONDITION : Some overall toning, one light crease.
1809. Stipple engraving. 1809. 210mm by 125mm (sheet). George Stubbs was a famous English painter of the horse and some wild animals. This portrait shows him gesturing towards his largest work on copper, his Phaeton and the Chariot of the Sun of 1775. The original watercolour with pencil is in.....
1809. Soft ground etching. 1809. 270mm by 200mm (platemark). James Barry RA (1741-1806) was an Irish painter, best remembered for his six-part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts in London. Dance was an architect, draughtsman and founder.....
1809. Soft ground etching. 1809. 270mm by 200mm (platemark). James Northcote RA (1746 – 1831) was an English painter. Dance was an architect, draughtsman and founder member of the Royal Academy. This portrait comes from a series of chalk portraits that he did of his friends, 72 of which were.....