Item 4311Schwimmpolypen (Swimming polyps)
Chromolithograph, circa 1895. 240mm by 150mm (sheet). Key below image. From Meyers Konversations Lexikon, a German encyclopaedia.
Chromolithograph, circa 1895. 240mm by 150mm (sheet). Key below image. From Meyers Konversations Lexikon, a German encyclopaedia.
1837. Copper-line engraving with original hand-colouring. 1837. 212mm by 130mm (sheet). From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. A couple of very small foxing spot."
1837. Copper-line engraving with original hand-colouring. 1837. 212mm by 130mm (sheet). From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. A couple of very small foxing spots on left hand side.."
1837. Copper-line engraving. 1837. 212mm by 130mm (sheet). From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. A couple of very small foxing spot."
1837. Copper-line engraving with original hand-colouring. 1837. 212mm by 130mm (sheet). From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. A couple of very small foxing spot."
1837. Copper-line engraving with original hand-colouring. 1837. 212mm by 130mm (sheet). From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
1837. Copper-line engraving with original hand-colouring. 1837. 212mm by 130mm (sheet). From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. A couple of very small foxing spot."
1837. Copper-line engraving with original hand-colouring. 1837. 212mm by 130mm (sheet). From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. A couple of very small foxing spot."
1895. Chromolithograph. 1895. 130mm by 200mm (image) 170mm by 255mm (sheet). Signed 'PJ Smit' in the lithograph bottom right corner of the image.
1879. Chromoxylographs (colour wood engravings). 1879. 265mm by 360mm (sheet). From Rev William Houghton's 'British Fresh-Water Fishes'. The fish are portrayed as game-landed freshwater fish set on the pastoral riverbanks and shorelines of the British Isles. Alexander Francis Lydon was an English watercolour artist, illustrator and engraver of natural history.....
1879. Chromoxylographs (colour wood engravings). 1879. 265mm by 360mm (sheet). From Rev William Houghton's 'British Fresh-Water Fishes'. The fish are portrayed as game-landed freshwater fish set on the pastoral riverbanks and shorelines of the British Isles. Alexander Francis Lydon was an English watercolour artist, illustrator and engraver of natural history.....
1879. Chromoxylographs (colour wood engravings). 1879. 265mm by 360mm (sheet). From Rev William Houghton's 'British Fresh-Water Fishes'. The fish are portrayed as game-landed freshwater fish set on the pastoral riverbanks and shorelines of the British Isles. Alexander Francis Lydon was an English watercolour artist, illustrator and engraver of natural history.....
Chromolithograph, circa 1895. 240mm by 150mm (sheet). Key below image. From Meyers Konversations Lexikon, a German encyclopaedia.
1900. Chrmolithograph. 1900. 270mm by 170mm (sheet). Key to sea creatures below the image - firefly, jelly fish, dogfish, star fish. CONDITION : Some faint foxing in the margins.
C1850. Steel engraving with hand-coloiuring. C1850. Italian engraving depicting a beached whale.
C1836. Steel-engraving with original hand-colouring. C1836. 225mm by 140mm (sheet). Cetaces - 1 Le Dauphin Vulgaire 2 Le Dauphin Marsouin 2 Le Dauphin Orque' French engraving, published in Paris, from 'Oeuvres du Comte de Lacepede contenant L'Histoire Naturelle des Quadrupedes Ovipares des Poissons et des Cetaces'.Three foxing spots."
1657. Copper-line engraving. 1657. 290mm by 180mm (platemark). Seventeenth century engraving from John Johnston's 'Historiae Naturalis de Serpentibus', 1657. John Jonston (1603 - 1675) was a Polish scholar and physician, descended from Scottish nobility.One small spot in the image."
C1836. Steel-engraving with original hand-colouring. C1836. 230mm by 140mm (sheet). 1 Le Callionyme Lyre 2 L'Uranoscop Rat 3 Le Trachine Vive' French engraving, published in Paris, from 'Oeuvres du Comte de Lacepede contenant L'Histoire Naturelle des Quadrupedes Ovipares des Poissons et des Cetaces'."
C1836. Steel-engraving with original hand-colouring. C1836. 230mm by 140mm (sheet). 1 Le Caranxomore Pelagique 2 Le Caranxomore Plumerien 3 Le Coesiomore Bloch' French engraving, published in Paris, from 'Oeuvres du Comte de Lacepede contenant L'Histoire Naturelle des Quadrupedes Ovipares des Poissons et des Cetaces'."
C1836. Steel-engraving with original hand-colouring. C1836. 230mm by 140mm (sheet). 1 Le Scombre Bonite 2 Le Scombre Maquereau 3 Le Scomberoide Sauteur' French engraving, published in Paris, from 'Oeuvres du Comte de Lacepede contenant L'Histoire Naturelle des Quadrupedes Ovipares des Poissons et des Cetaces'."
C1836. Steel-engraving with original hand-colouring. C1836. 230mm by 140mm (sheet). 1 Le Caranx Beau 2 Le Caranx Amie 3 Le Trachinote Faucheur' French engraving, published in Paris, from 'Oeuvres du Comte de Lacepede contenant L'Histoire Naturelle des Quadrupedes Ovipares des Poissons et des Cetaces'."
C1836. Steel-engraving with original hand-colouring. C1836. 230mm by 140mm (sheet). 1 Le Kurte Blochien 2 Le Toenioide Hermannien 3 Le Gobie Lanceole' French engraving, published in Paris, from 'Oeuvres du Comte de Lacepede contenant L'Histoire Naturelle des Quadrupedes Ovipares des Poissons et des Cetaces'."
C1836. Steel-engraving with original hand-colouring. C1836. 230mm by 140mm (sheet). 1 Le Gade Capelan 2 Le Gade Mustel 3 Le Batrachoide Tau' French engraving, published in Paris, from 'Oeuvres du Comte de Lacepede contenant L'Histoire Naturelle des Quadrupedes Ovipares des Poissons et des Cetaces'."
1895. Chromolithograph. 1895. 160mm by 240mm (sheet). German chromolithograph. CONDITION : Crease along bottom of the sheet just under publication line.
C1780. Line engraving with later hand-colouring. C1780. 290mm by 210mm (sheet). French late 18th century engraving of shells after the drawings of Henry Redoute, the brother of the great botanical artist Pierre Joseph Redoute.